The Fall of Achilles

Title: 

The Fall of Achilles (Achilles Series)


Creator: 

Marek Valovič (b. 1974)

Nationality: 

Slovak

Date Created: 

2024

Medium: 

Oil on Linen


Physical Dimensions: 

59.1 x 43.3 in. | 150 x 110 cm (H x W)

Technique: 

Baroque Tenebrism | Chiaroscuro

Materials: 

Crafted using traditional methods on hand-primed linen, prepared with an archival RSG (Rabbit Skin Glue) gesso. The process begins with a rugged, high-build underpainting, where highlights are sculpted with dense, opaque mass to establish a powerful painterly bravura. Once cured, the composition is developed through a superposition of glazes, where, unlike my other studies, white pigments are selectively integrated into the transparent layers to achieve a unique, misty optical depth and tonal complexity. Despite this, the shadows remain fundamentally translucent, anchored by the visible ground, while the medium—a custom blend of Flemish Black Oil (cooked with lead litharge) and Sun-thickened Linseed Oil—ensures a rich, enamel-like resonance. To guarantee archival longevity, the surface is protected by a professional dual-layer varnish system (Laropal A81 and Regalrez 1094) enhanced with Tinuvin® UV stabilizers, providing structural and aesthetic stability for generations to come.

Provenance: 

Artist's Studio | Slovakia.

Availability:

Available for private acquisition | Price upon request

Rights: 

© Marek Valovič. All rights reserved.

The Fall of Achilles | Marek Valovič . 150 x 110 cm | Oil on Linen | 2024 . Baroque tenebrism, lead litharge. Hand-primed linen, traditional gesso, flemish black oil with lead litharge, sun-thickened linseed oil, handmade pigments, Bratislava artist
The Inevitable End | Marek Valovič . 80 x 60 cm | Oil on Linen | 2024 . Pure earth pigment glazing without white, Visible texture, Traditional Gesso, RSG, Chiaroscuro technique.
The Threshold of Tartarus | Marek Valovič . 200 x 160 cm | Oil on Canvas | 2025 . Monumental composition with 11 figures, Hades' owl of prophecy, Cerberus on royal purple, SiO2 texture mediums.
Supper at Emmaus | Marek Valovič . 200 x 160 cm | Oil on Linen | 2023 . Family portrait with wife and daughters, Caravaggio-inspired composition, still life with bread and fruit, side window lighting, multi-layered oil glazing.
St John the Baptist | Marek Valovič . 180 x 110 cm | Oil on Linen | 2024 . Contemporary Saint John, camel skin loincloth, wooden cross, raised finger, lamb of God, emotional Tenebrism, Laropal & Regalrez finish.
Judith and Holofernes | Marek Valovič . 70 x 50 cm | Oil on Cotton Canvas | 2022 . Tenebrist self-portrait as Holofernes, 20th-century officer's saber, dramatic top lighting, bloody blade.

The Artist's Perspective | Historical & Technical Context



If you find this image lacking, look closer at the one who watches. The truth of a painting is found in the courage of the witness. This large-scale canvas serves as a manifesto of traditional materials science applied to contemporary figurative art. By preparing my own Flemish black oil—following the exact chemical path used by Rembrandt—I achieved a level of transparency and 'sfumato' that commercially produced paints cannot provide. The dramatic lighting (chiaroscuro) is not merely a stylistic choice; it is a tool to sculpt the anatomy of the hero out of the darkness, emphasizing the physical weight of his final moment.
The composition focuses on the transition from matter to meaning. The hand-primed texture of the linen remains visible under the thin glazes, creating a dialogue between the raw material and the refined image. It is a slow art for a fast age, requiring weeks of drying time between layers to ensure archival integrity that will last for centuries.

The arrow did not kill Achilles because it was magical; it killed him because it found the only part of him that remained human. Even the strongest armor of divinity cannot protect a soul that refuses to acknowledge its own fragility.
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